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Sketching Working Experience: The Workbook provides information about the step-by-step process of the different sketching techniques. It offers methods called design thinking, as a way to think as a user, and sketching, a way to think as a designer. User-experience designers are designers who sketch based on their actions, interactions, and experiences.
The book discusses the differences between the normal ways to sketch and sketching used by user-experience designers. It also describes some motivation on why a person should sketch and introduces the sketchbook. The book reviews the different sketching methods and the modules that contain a particular sketching method. It also explains how the sketching methods are used.
Readers who are interested in learning, understanding, practicing, and teaching experience design, information design, interface design, and information architecture will find this book relevant.

• Features standalone modules detailing methods and exercises for practitioners who want to learn and develop their sketching skills
• Extremely practical, with illustrated examples detailing all steps on how to do a method
• Excellent for individual learning, for classrooms, and for a team that wants to develop a culture of design practice
• Perfect complement to Buxton’s Sketching User Experience or any UX text

• Author-maintained companion website at

  http://grouplab.cpsc.ucalgary.ca/sketchbook/

• Sales Rank: #92723 in Books
• Published on: 2011-12-28
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .90" w x 8.50" l, 1.95 pounds
• Binding: Paperback
• 272 pages

Review

"In Sketching User Experiences, Buxton gave a compelling argument as to WHY sketching is so important to design. In this excellently-designed companion, he and his co-authors show HOW.� I have been haranguing students for years with the message that they should be doing a lot of sketching, and this is the first guide I can really use to show them what it means and how it works."--Terry Winograd, Professor at Stanford University and founding faculty member of its 'D.School' and author of Bringing Design to Software "As an interaction designer who teaches, I’ve waited a while for a book like this! Sketching User Experiences – The Workbook is a design-by-doing guide for practitioners and students on how to integrate design practice, techniques and thinking into the practices of human-computer interaction and interaction design. As the companion piece to Bill Buxton’s Sketching User Experience, this book is a one-two combination for learning and doing design in a world of interaction."--Ron Wakkary, Associate Professor at the School of Interactive Arts and Technology, Simon Fraser University and Co-Editor-in-Chief of ACM interactions magazine "Don’t be put off by the title. This is a book for non-artists, albeit those developing user interfaces who recognise how much visual communication helps clients and colleagues understand design concepts. If, as a non-artist, you already produce ‘visuals’ you probably use software with a library of images and preformed shapes…This is a very positive book for the non-artist. It is profusely and relevantly illustrated and has a 50:50 balance between print and illustrations, which makes it very easy to dip into for ideas. The layout of the 250 pages is a demonstration of how uncluttered layout combined with simple design produces a highly effective teaching tool. To reinforce the point, there is also a detailed index."--BCS.org "Based on the authors' experience that sketching is an essential part of design, this excellent workbook is aimed at getting either students or professionals into the practice. Each chapter begins with a list of the necessary materials and ends with a "You Now Know" section, as well as occasional exercises. Tips on how to handle things that may arise during sketching are provided and the book is illustrated with color photographs and hand drawn-illustrations."--Reference and Research Book News, October 2012

From the Author
Online teaching and learning resources for the book�are collected at saul.cpsc.ucalgary.ca/sketchbook/ . Sections now include:

• Presentations�associated with various chapters that can be used to teach basic ideas of sketching to your group or class
• Readings and Essays on sketching, sketching methods, and examples as related to interaction design.
• Videos�that provide examples about sketching and sketching methods as related to interaction design.
• Technologies can help support the sketching process in different ways.
• Web Sites and Blogs related to sketching and sketching methods
• Courses by others that include some aspect of sketching

From the Back Cover

Sketching has long been a best practice for designers. Through sketches, designers follow a generative process of developing, honing, and choosing ideas. Designers also use sketches to discuss, exchange, and critique ideas with others. When designers sketch user experiences, their drawings also need to incorporate the actions, interactions, and changes of these experiences that unfold over time. This can be challenging if you are a non-artist, or have not been trained within a conventional design discipline that specifically practices the time element that is so critical to interactive interfaces.

In Sketching User Experiences: The Workbook, you will learn, through step-by-step instructions and exercises, various sketching methods that will let you express your design ideas about user experiences across time. Collectively, these methods will be your sketching repertoire: a toolkit where you can choose the method most appropriate for developing your ideas, which will help you cultivate a culture of experience-based design and critique in your workplace.

Most helpful customer reviews

57 of 59 people found the following review helpful.
One of a kind in it's field!
By M. Forr
Over the past two years I've spent many evenings and weekends teaching myself everything I can about IA/UX/IxD and so have surveyed many of the books available. For the most part those books can be broken into two categories. The first are theory books (About Face 3, Information Architecture for the World Wide Web) and design pattern books (Designing Interfaces, Designing Web Interfaces) (Not to mention user research books but that's a whole different step of the process).

Unfortunately, I haven't found too many books that focus on the skills of sketching a user experience. I have read and worked through Drawing on the Right Side of the Brain and Visual Meetings but found the first was really focused on fine art sketching and the later is really focused on meetings and sharing general ideas with people. Sketching User Experiences is a good in between that focuses on the practical skills of sketching interfaces and experiences and communicating that to others.

The book starts with very basic sketching exercises and by the end gets into really fun and tangible advanced techniques. Some of the more advanced techniques I loved involve creating sketches from photos, creating hybrid sketches (photos + sketches) and building poster board prototypes of physical devices. Each exercise in the book is discrete and has a clear set of instructions, an explanation of how it fits into the user-centered design process and references to follow up with. Each exercise was structured enough that if you want to pick and choose things to do it's perfect for that.

All in all I would recommend this book for IA/UX/IxD professionals of all levels and anyone else who needs to communicate user experiences to others. I especially think this book would be useful for developers who are looking for a better way to express their ideas (or frustration) to clients, designers and other stakeholders because there is a big enough range of exercises that he should be able to find something that works.

The other place I would recommend this book would be for an advanced user interfaces undergrad/graduate level college course. There's enough work in here to make for a -really- fun semester's worth of work. I hope a professor picks this up and builds a course around it :)

Happy sketching :)

7 of 7 people found the following review helpful.
Practical, good for even non-designers
By IBookReader
I am not a designer - but have been reading a lot about design and this is by far one of the most practical books you will buy. Some of the techniques are practical and wil change the way you do wireframes. I guess these are commonplace techniques used by designers but for non-designers it just changes your perspective. This is a true workbook, so be prepared to spend time doing versus reading-you wont be disappointed especially if you are an engineer looking to learn design. It is not a book about principles of design (there are many books out there that do that), this is a book about practical, real world techniques.

Before reading this book I thought sketching is for the "creative designers", but the techniques here (take pictures, trace) make it really simple.

3 of 3 people found the following review helpful.
This is a superb book for anyone who deals in processes.
By Christeena Brubaker
Especially for people who are and are not artists (as in everyone), this book presents using sketching for any project that requires innovation and multiple steps. In the first pages, it demonstrates that ideas can be expanded, discarded for something better, improved and entirely new approaches realized. While this is available in all disciplines, sketching is a good medium for capturing and exploring ideas from daily exposures. I'm thoroughly enjoying reading and using the ideas.

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• Published on: 1993
• Original language: English
• Dimensions: .95 pounds
• Binding: Hardcover

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[I778.Ebook] Free PDF Fiction and Fictionalism (New Problems of Philosophy), by R. M. Sainsbury

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Are fictional characters such as Sherlock Holmes real? What can fiction tell us about the nature of truth and reality? In this excellent introduction to the problem of fictionalism R. M. Sainsbury covers the following key topics:

• what is fiction?
• realism about fictional objects, including the arguments that fictional objects are real but non-existent; real but non-factual; real but non-concrete
• the relationship between fictional characters and non-actual worlds
• fictional entities as abstract artefacts
• fiction and intentionality and the problem of irrealism
• fictionalism about possible worlds
• moral fictionalism.

R. M. Sainsbury makes extensive use of examples from fiction, such as Sherlock Holmes, Anna Karenina and Madame Bovary and examines the work of philosophers who have made significant contributions to the topic, including Meinong, David Lewis, and Bas Van Fraassen. Additional features include chapter summaries, annotated further reading and a glossary of technical terms, making Fiction and Fictionalism ideal for those coming to the�issue for the first time.

• Sales Rank: #1788285 in Books
• Published on: 2009-09-20
• Released on: 2009-08-13
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .60" w x 6.14" l, .95 pounds
• Binding: Paperback
• 264 pages

Review

'This is a great book. In it Mark Sainsbury provides a lucid and interesting discussion of the nature of fiction, the status of fictional objects, and fictionalism in general, offering an excellent overview of these subjects and giving a barrage of interesting arguments for his own views along the way. The book is also timely. There has been a recent surge of interest in all three of these issues and I know of no other book that comes close to providing such a good introduction to, and discussion of, these topics.' - Analysis

'…an impressive book. In a clear, concise and engaging style, Sainsbury manages to explain fairly difficult issues in an accessible way. Throughout the arguments are of high quality. Sainsbury manages both to provide good overviews of the relevant literature, and to present interesting arguments on pretty much every page. The book will be useful for students both at the advanced undergraduate level and at the graduate level, and for researchers in metaphysics and philosophy of language.' - Matti Eklund, Cornell University

'This is a great book. In it, Mark Sainsbury provides a lucid and interesting discussion of the nature of fiction, the status of fictional objects, and fictionalism in general, offering an excellent overview of these subjects and giving a barrage of interesting arguments for his own views along the way. The book is also timely. There has been a recent surge of interest in all three of these issues and I know of no other book that comes close to providing such a good introduction to, and discussion of, these topics.' - Anthony Everett, University of Bristol, UK

About the Author
R. M. Sainsbury is a Professor in the Department of Philosophy, University of Texas at Austin. He also teaches in the Department of Philosophy, King's College, London. He was editor of the journal Mind for a decade from 1990 and his many publications include Reference Without Referents (2005, 2007) and Logical Forms, 2nd Edition (2000).

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6 of 7 people found the following review helpful.
Seriously Outstanding
By J.Feen-
Sainsbury's response to, review of, and treatment of the various types of fictionalisms is seriously outstanding. For starters, Sainsbury's syntactic style is Oxford-Contemporary; that is, while his grammar is impeccable where it must be and most appropriate where it OUGHT to be (e.g., use of the "Oxford Comma"), his sentence structure and word choice is not outdated and overly-formal, thus making the text--and hence the overall dialectic--tremendously fluid and unimpeded. Secondly, Sainsbury's incorporation of cutting-edge thinkers and thought on the topic is both impeccable and vast. Most importantly, Sainsbury's merit for the overall product must be applauded simply by virtue of this text being the first of its kind; that is, not even reading all the literature on this rapidly developing topic would compare to the masterpiece that is this indispensable companion to this relatively recent development in metaphysics (and metaethics). Again, simply outstanding.

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• Sales Rank: #316517 in Books
• Published on: 2017-04-16
• Original language: English
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[Y871.Ebook] Ebook An Old Man's Love, by Anthony Trollope

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This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

• Original language: English
• Dimensions: 9.02" h x .22" w x 5.98" l, .34 pounds
• Binding: Paperback

About the Author
As young adult, Trollope endured seven years of poverty in the General Post Office in London before accepting a better - paying position as postal surveyor in Banagher, Ireland in 1841. The years in Ireland formed the basis of his second career delineating clerical life in small cathedral towns.

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9 of 10 people found the following review helpful.
The Inner Impulse To Be a Martyr
By Carol Bakker
So you love Jane Austen. You've read all her novels and plan to re-read them with great pleasure the rest of your days. When you come to the end of Austen, you always have an appetite for...more! You start in with the Brontes and read through their works. This is a good thing. There are many, many good books in different genres, true. But there are times you want a nice cup of tea and a little touch of Britain in the night.

It was because Anthony Trollope's name was said in the same sentence as Austen's, and from a friend I trust, that I decided to go exploring.

An Old Man's Love was a sweet romance, a lovely love story. Here's the gist: A young woman, Mary Lawrie (20 something), is left orphaned. A friend of her father's, the 50 year old bachelor, William Whittlestaff decides to take her in and provide for her. He falls in love with her and asks her to marry him. She hesitates and acknowledges to him that her heart is with a young man, John Gordon, from whom she has not heard a word in three years, and with whom no words of love were ever exchanged.

Whittlestaff presses Mary, confident that her infatuation was a childish one and sure that he can give her a good life. She reluctantly agrees and decides to do her duty to the man who has been so kind to her, a man for whom she has genuine affection. Within hours of giving her promise to marry Whittlestaff, John Gordon, home from the diamond mines, knocks on the door asking for Mary.

The ensuing conflict between Mary's love for Gordon and her promise given to Whittlestaff occupies the rest of the book. A promise is a promise! Trollope portrays so accurately that inner impulse to be a martyr that seems so noble at night, but sticks like a bone in the throat in the daylight. Hearing the tale unfold was like riding a see-saw; it was impossible to guess how it would come out. Each man is so certain that it would be in Mary's best interest to be with himself. There are two Dickensian characters, the housekeeper and the vicar, which add comic relief to the drama.

It isn't the satisfying protein of Austen, but we still need some carbs in our life, and Trollope is a good carb.

9 of 10 people found the following review helpful.
A bit tedious and repetitive, but still good
By booker
William Whittlestaff takes in the orphaned Mary Lawrie and, after a year, decides he's in love with her and proposes. She accepts. Unfortunately, Mary's old sweetheart, John Gordon, arrives the next day from the Kimberley diamonds mines, having rectified his poverty. So what's a girl to do? What's the 50-year old, previously-disappointed-in-love-decades-ago Whittlestaff to do?

I've been away from the Victorian authors for a good long while, but I don't think this one is nearly as good as I recall Trollope's other works were. This story was simple, but the framing of it was ponderous and very redundant throughout. Perhaps that was the point of it, however; that a very heavy matter weighed on the minds of all three main characters (Whittlestaff, Mary, and John Gordon) and so it's natural that they should chew over the same facts again and again.

It was a quick read, but it was very tedious in too many spots. So much of it was the internal thoughts of the characters as they tried to work out the problem: what was expected of them (heart vs. duty), what was the "best interests" of the other parties, outside advice and pressure, and so on. The character of Mrs. Baggett and her situation with her drunked sot of an errant, leeching husband brought the whole "marital duty" aspect into the story - once a promise is made to be one's wife, it's mandatory to stick through it, thick or thin, and deny - all the while proclaiming - one's sacrificial martyrdom.

There was a tight cast of characters, each providing some characteristic that crops up so much in Victorian lit - punny names like a groom and gardener called Hayonotes and Thornybush, respectively; and meddling nosybodies like the local soon-to-be married vicar Blake who is a right boor and acts out of self-righteous romantic inclinations but seems to be doomed after marriage. (Trollope certainly implies that his wife will be fed up with him in a matter of months.)

I'm glad it was a short book. I honestly don't think the slim concept of it could have borne too many more pages and revisits to the same thought processes. It ended as one would expect, but I still kept reading because I wasn't entirely certain.

2 of 2 people found the following review helpful.
The Worst Trollope Novel
By ronaldk204
I am a big fan of Trollope and have read most of his 47 novels. Written near the end of his life, this is by far the worst. An old man brings a young women into his home as a daughter because she has been left alone without any support. Over time, he essentially seduces her, and out of gratitude she agrees to marry him. Before they marry, an old lover of Mary shows up after being away in South Africa for 3 years without any word to her. She still loves him and is not angry that he didn't write to her in 3 years. The old man gives her up to the old lover, probably out of his guilt that he took her in as her protector, and then proceeded to convince her to become his wife. All of this is quite peculiar even by Victorian standards and lend some support to the Trollope critics that say he is a pulp fiction hack.

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• Sales Rank: #8872934 in Books
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A comedy science fiction novel, featuring slow-witted detective Frank Burly. By John Swartzwelder, the author of "The Time Machine Did It", "Double Wonderful", and 59 episodes of The Simpsons.

• Sales Rank: #106312 in Books
• Brand: Brand: Kennydale Books
• Published on: 2006-04-12
• Number of items: 1
• Binding: Paperback
• 158 pages

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12 of 12 people found the following review helpful.
The Novella Fella
By Mark Eremite
John Swartzwelder, notoriously reclusive Simpsons scribe, is known for penning some of that show's funniest and most culturally pointed episodes. He is capable of being absurd without succumbing to plot-driven idiocy and able to nestle high-brow-rising humor next to the goofiest of puns without skipping a beat. Few of the show's current writers can boast his kind of output, whether you're measuring it by episode or by how many gags he can fit into any given minute.

His books (four so far) don't try to follow coherency as much as his work on The Simpsons. Instead, he uses the medium as a forum for his stream-of-consciousness wise-cracking. Mass by volume, these slim tomes have the same silly density as his episodes, even if they sprawl ten times as much. For the most part, Swartzwelder sticks to the same basic formula that made his shows a success: a fat and idiotic central character gets into all manner of monkey-shines and comes out mostly unchanged. Instead of Homer, though, our main man is called Frank Burly.

THE TIME MACHINE DID IT
Frank Burly introduces us to his unlikely career as a private eye. Although his primary talents are screwing things up and getting beaten on a regular basis, he ends up with a fairly important case. A bum claims that he used to be a millionaire, but criminals with a time machine retroactively stole his wealth. Burly's in over his head (heck, this guy gets in over his head just trying to tie his shoes), but that doesn't stop him from barreling headfirst into the mystery and subsequently making it messier and harder to solve. Quickly written, hastily plotted, and genuinely funny, this is one of the few books I've ever read that's gotten me to laugh out-loud, and on a regular basis. 5 Stars. FAVORITE LINE: Frank Burly, on his imprisonment and torture by the criminals -- "I held up under all this pretty well. I was sleeping like a baby -- waking up every three hours screaming and crapping my pants."

DOUBLE WONDERFUL
Swartzwelder makes a mistake. Instead of one central character with the brains of a dusty cactus, he creates an entire town of them. The citizens of the Wild West town of Slackjaw are having economic troubles. Part of their problem is that the "wild" in their western town is missing; it's a pretty boring place, plus it exists in the shadows of the world-renowned Double Wonderful ranch, run by a wealthy couple who are so perfect, God owes them favors. They try desperately to bring fame and/or notoriety to their little corner of the world, but most of their ideas are pretty lame (encourage bandits to rob them, hang the mayor, etc.). They eventually get their wish, and it's mildly amusing, but the scattered scope of the story's lunacy and its slap-dash conclusion are pretty harried. You won't laugh as much as you'll roll your eyes. Not bad; not great. Notable mainly because the story's central theme (the horrifying price of fame) gives you some real clues as to why Mr. Swartzwelder himself so adamantly chooses to stay out of the spotlight. 3 Stars. MOST SELF-REFERENTIAL LINE: "...Buntline said that short books were the best selling kind ... That's what the reading public wanted in a book these days, he said. They wanted to get as close as possible to not reading at all."

HOW I CONQUERED YOUR PLANET
Swartzwelder, catching on, brings Frank Burly back to the fore. He's still a private detective, he's still pretty bad at it, and he's still stumbling backwards into strange cases (and sometimes plate glass windows). This time the case may have something to do with Martians. Or maybe it's Neptunians. They're both very similar, as far as aliens look, although it's harder to pronounce the word "Neptunians." While going about his daily routine of getting in the way of things, Frank ends up alienating (nyuk, nyuk) all sorts of planetary species. And, of course, he conquers your planet. Not as consistent as "Time Machine," but much sharper than "Double Wonderful." 4 Stars. FAVORITE LINE: Frank Burly, on his new alien secretary -- "...I discovered that I had hired a surprisingly dedicated secretary, who listened in on my phone calls, patted down my visitors, looked through my desk for me each morning before I got in, even appeared in my dreams taking notes."

THE EXPLODING DETECTIVE
Frank Burly's back, this time augmenting his act with a mostly-malfunctioning jetpack. His inability to steer is overshadowed, however, by his ability to withstand multiple explosive collisions, and he becomes something of a superhero. The new title doesn't fit him so well, because it requires that he get up before noon and commit all kinds of acts, most of them selfless and painful. He ends up getting involved in a battle against a super villain, a washed up James Bond type, and another time machine. Although this book is as funny as the previous, it makes it obvious that, while Burly's adventures through time and space are all well and good, Swartzwelder might do well to actually keep his gags confined to the realm of detective work. I doubt it took the man longer than a couple of days to write any of these books, but this is the first time I felt it really showed. 4 Stars. FAVORITE LINE: Frank Burly has infiltrated a Secret Club for Super Villains, searching for his would-be assassin -- "I continued around the room ... making it sound like I was a new member who was just making conversation. "Have you been trying to kill me?" I would ask, casually. "I'm just curious. Or we could talk about the weather, if you like. The weather's been trying to kill me too.'"

5 of 5 people found the following review helpful.
The awesome power of stupid.
By J. R. Gray
Woody Allen said that 80% of success is showing up. In a cross between "The Decline and Fall of the Roman Empire," "War of The Worlds," and "The Great Escape," Frank Burley has shown up again... to demonstrate the awesome power of stupid.

Burley is a detective, a bus driver, a general officer, an enforcer, a Martian recruit #775321 (and later prisoner # 775321), an escape artist and a fugitive. But he wins. Not by being the best, the brightest or most competent, but with greed, duplicity and deceit. "Magicians" put thoughts into the minds of the complacent and complicit public, as they are entertained into enslavement, while Burley the stupid is promoted to "Triple-Double General" by the Martian invaders (besting "Triple Admiral Swartzwelder" in the Simpsons "Treehouse of Horror XIV" episode).

As traitor to the human race, Burley's struggles with whether he is "still the good guy" are not very convincing. He claims he was just following orders, and argues that because he is incompetent, he is unable to make a living wage. So when a war pops up, he goes to war because war will make things better for us all. If this sounds stupid, you can blame it all on the hissing Arthur Gremlin - the "someone else" we humans always blame for our own inherent evil.

"How I Conquered Your Planet" is a quick funny read. Deceptively clever, it's full of Swartzwelder observations like: "There's something about being in the back that brings out the worst in people." To learn everything there is to know about brain washing, how to be a successful leader in at least two different species, and how to treat amnesia, you must read this book!

0 of 0 people found the following review helpful.
How I Spent Two Hours And Had Some Laughs...Some
By K. Swanson
3.5 stars

I've now read two Swartzwelder books today and will probably read another this evening; perhaps that one will be as superlative as his Simpsons episodes. He does get marks for brevity, in any case.

Here's why: as much as I love the guy's endless stream of wordplay and twisting of cliches and maxims, that's really all there is. For me truly great comedy in a novel comes from depth of character and watching it morph and develop. This book has next to none of that; there's one central figure and all the rest are merely skeletons to hang jokes on.

Most of what I said about Double Wonderful applies here, though this book does have more amusement within. But yet again I found myself getting bored and waiting for it all to end, despite the oft-funny lines. It just felt like a stand-up routine that took two hours (which it did to read, barely a long short story at the price of a novel) and should have ended in one. The story, such as it is, seems there merely to set up one joke after another, and has little to no power or engaging arc of its own.

From the other reviews of this and JS's other books, I am clearly in the minority when it comes to judging him not necessarily a constant genius. For his Simpsons work, I say yea, verily; but from this and DW I would say, a very funny wit but hardly a truly fine writer. Could be my fault; I do wish I was laughing uncontrollably like the other reviewers! Maybe I just don't get it. Time to read the other two JS books I picked up and hope for more.

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