Free PDF Eight Words for the Study of Expressive CultureFrom University of Illinois Press
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Eight Words for the Study of Expressive CultureFrom University of Illinois Press
Free PDF Eight Words for the Study of Expressive CultureFrom University of Illinois Press
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Group. Art. Text. Genre. Performance. Context. Tradition. Identity. _x000B_No matter where we are--in academic institutions, in cultural agencies, at home, or in a casual conversation--these are words we use when we talk about creative expression in its cultural contexts. Eight Words for the Study of Expressive Culture is a thoughtful, interdisciplinary examination of the keywords that are integral to the formulation of ideas about the diversity of human creativity, presented as a set of essays by leading folklorists. _x000B_Many of us use these eight words every day. We think with them. We teach with them. Much of contemporary scholarship rests on their meanings and implications. They form a significant part of a set of conversations extending through centuries of thought about creativity, meaning, beauty, local knowledge, values, and community. Their natural habitats range across scholarly disciplines from anthropology and folklore to literary and cultural studies and provide the framework for other fields of practice and performance as well. _x000B_Eight Words for the Study of Expressive Culture is a much-needed study of keywords that are frequently used but not easily explained. Anchored by Burt Feintuchs cogent introduction, the book features essays by Dorothy Noyes, Gerald L. Pocius, Jeff Todd Titon, Trudier Harris, Deborah A. Kapchan, Mary Hufford, Henry Glassie, and Roger D. Abrahams.
- Sales Rank: #1605541 in eBooks
- Published on: 2003-06-04
- Released on: 2003-06-04
- Format: Kindle eBook
Review
Eight Words for the Study of Expressive Culture is a much-needed study of keywords that are frequently used but not easily explained. Anchored by Burt Feintuch's cogent introduction, the book features essays by Dorothy Noyes, Gerald L. Pocius, Jeff Todd Titon, Trudier Harris, Deborah A. Kapchan, Mary Hufford, Henry Glassie, and Roger D. Abrahams.
About the Author
Burt Feintuch, Portsmouth, New Hampshire, has written about roots music, regional cultures, and music revivals in North America and abroad since the 1970s, along with producing documentary sound recordings. An academic and a musician, he directs the Center for the Humanities at the University of New Hampshire.
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